Poetry
The Long Crossing
General audience
I. Departure
My grandmother folded her whole life
into two suitcases and a woven bag,
left the mountain village at first light
before the roosters could object, or brag
that she was leaving. She told me once
the hardest part was not the goodbye —
it was the ordinary Tuesday months
before, when she first let herself ask why
she was staying. That question, once let loose,
could not be caught again, or reasoned still.
She packed. She left. She had no other use
for a life that had stopped fitting her own will.
II. The Ship
Three weeks at sea, she said, and half were spent
retching over rails with strangers just as sick,
strangers who became, by voyage's end,
the closest thing to family, thick
as blood despite no blood between them shared —
a Greek widow, a Sicilian boy of ten
travelling alone, a couple who declared
they'd marry once they landed. Even then,
even seasick and afraid and far
from every fixed point they had ever known,
they built a kind of temporary star
to navigate by — each other, less alone
for having found each other, briefly, there,
on water that belonged to everywhere.
III. Arrival
The harbor didn't look like what she'd dreamed.
No golden gates, no chorus, no grand door —
just grey and noise and men who barely seemed
to notice one more ship from one more shore.
She stood in line for six hours to be seen
by officials who mispronounced her name
so badly that she let the mistake convene
into the name she'd wear from then — the same
small erasure that a thousand others bore
in that same line, that same grey hour, that day —
a person renamed at exactly the door
where their old life was asked to fall away.
She kept the new name. Kept the old one too,
just quieter, just folded out of view.
IV. The Years Between
She raised four children in a language not her own,
learned it from radio and school notes sent
home in her children's hands, a seed slow-grown
from soil that never asked her their consent
to be planted there. She worked two jobs, then three,
sent money home to parents she'd not see
again in this life, though she wrote faithfully,
weekly, for thirty years, a litany
of small news — weather, work, a grandchild's name —
sent toward a village that, by war's end, sound
economics, and simple time, became
a place that no longer quite existed. She found
herself belonging fully to no shore,
a citizen of neither, and of both, and more.
V. What She Left Me
She died at ninety-one, still speaking two
languages fluently and neither one
completely, still mixing them the whole way through
sentences that started in the sun
of her lost mountain and ended in the cold
bright vowels of the harbor town she'd made
her second, truer home. What she told
me, near the end, still hasn't fully weighed
itself out fairly in my mind, not yet:
"You will not understand this crossing's cost
until you've made one of your own. And yet
I hope, my darling, that you never lose
what I lost making it — not the pain, not the debt,
but the particular grief of choosing what you choose."
I carry two suitcases still, unpacked,
in the shape of her stories, not her things —
the weight of a woman who never looked back
without also, somehow, looking forward. She sings,
still, in the part of me that speaks her tongue
badly, gratefully, imperfectly, alive —
the long crossing not finished, not yet done,
still being made, wave after wave, to arrive.
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